Trilogy Continues at Istanbul Modern Cinema – News
Istanbul Modern Cinema continues its installations. “Gates of Freedom”, the second of the 3×2 program series, free shopping on the website of 22 November – 4 December 2021 options.
Istanbul Modern Cinema continues its free programs about the structures of Türk Tuborg A.Ş. with the program called 3x: Gates of Freedom.
In this month’s trilogy, the duo’s focus is on the personal, their struggles for freedom and sacrifice. Contemporary cinema is the cause of the war of the stone and the war of the world caused by the war for the war trilogy of the Polish touchstone. Austrian country Ulrich Seidl’s trilogy explores the concepts of love, faith and hope against people from the modern world.
and the prices made available on the website of Istanbul Modern, will be published at the date-time intervals to be reviewed.
ONE GENERATION (POKOLENI), 1955
22-24 November 2021
Director: Andrzej Wajda
Players: Tadeusz Lomnicki, Urszula Modrzynska, Tadeusz Janczar
The first film of the trilogy, set in World War II, is essentially a story of growth. Historically, in the background is the well-known “Warsaw Ghetto Foot”, the boy who opposed raising a child who went to school in the treblinka concentration camp in 1943. Our hero Stach presents a depiction of the dairy animal-free that goes with the film as he learns through both his journey and the oppression.
CHANNEL, 1957
24-26 November 2021
Director: Andrzej Wajda
Players: Teresa Izewska, Tadeusz Janczar, Wienczyslaw Glinski
The second film in the war trilogy follows the rebels’ journeys through the city’s centre, this time as Warsaw was revolted as a city. A group of men and women both in the hell of Warsaw giving their strength to defend their bodies. The fact that the script was acquired by someone who participated in the Variova Uprising, the historical definitions of the film begin to announce the name of international cinema.
ASHES AND DIAMONDS (POPİÇ İ DIAMENT), 1958
26-28 November 2021
Director: Andrzej Wajda
Players: Zbigniew Cybulski, Ewa Krzyzewska, Waclaw Zastrzezynski
Son of the Second World War talks about the movie to try: diamonds to extinguish or only ashes to be written? He is on duty with the one who weaves the fate of the country together with his character’s two intertwined armies. Before and after the war, it’s not just the movie’s first character in the transition period. While Zbigniew Cybulski’s charismatic persona nicknamed him “Poland’s James Dean”, the film, which was adapted from the accumulated and became one of the cornerstones of Polish cinema, is unforgettable with its monochrome cinematography.
HEAVEN: LOVE (PARADIES: LIBE), 2012
28-30 November 2021
Director: Ulrich Seidl
Players: Margarete Tiesel, Inge Maux, Peter Kazungu
The first movie of the three of the Ulrich goers from the same family, the movie goes to the center in a village looking. Alive and challenging throughout her career, middle-aged Teresa takes a vacation to sunny Kenya with a young lover. At a time like the fate of Gırgır, he is going right in a way that money cannot be bought. While questioning the side of tourism as a new type of sexism, the film conveys the metal-cold reality of lovelessness.
HEAVEN: FAITH (PARADIES: GLAUBE), 2012
30 November – 2 December 2021
Director: Ulrich Seidl
Players: Maria Hofstatter, René Rupnik, Nabil Saleh
While Teresa is on her way to Kenya, the remaining season in Austria, X-ray Anna Maria spends her vacation leave with a statuette of the Virgin Mary wandering from door to door. To reveal those who believe that he passed through Jesus on the way to heaven in the life of Anna Maria, an Egyptian Muslim who was in this environment targeted by the missionary and is now doomed to return. It deals with disbelief with yet another irony about the film, while questioning what it means to carry a marriage-related cross. They’ve been producing together since 2001’s Seidl’s Hundstage, Maria Hofstatter carrying the entire film on her back.
HEAVEN: HOPE (PARADIES: HOFFNUNG), 2013
2-4 December 2021
Director: Ulrich Seidl
Players: Melanie Lenz, Verena Lehbauer, Joseph Lorenz
Vacation in the final movie of the Paradise trilogy, Teresa’s 13 narrow and sensitive daughter Melanie lives in the intense feeding camp to shrink. The film, which is a Lolita story based on what happened between Melanie and the charismatic doctor in the camp, approaches from a warmer and softer place than the first two films, while revealing their characters while revealing their observation and criticism, with a narrative language that shuttles between local fiction and books. The trilogy’s signature rough fiction is short, try to describe the concept of paradise that cannot be filled with cinematic meaning, such as the scenes when painting, the absence of music produced on stage, the coexistence of professional actors and non-actors.