Naples, the silent reforms of De Laurentiis
The year zero started in August 2021 more? or not, and he had a little intuition, at the very moment in which, in that apparent immobility, the Naples he began to look inside himself, to reread the correspondence, to plumb his thoughts and to put them back in order. One summer ago, analyzing himself and also the club accounts, Aurelio De Laurentiis he started to start yet another cycle of his era, he started settling the accounts in perspective, he scraped into the bottom of the balance sheet and yes and? projected beyond? deadlines: in June 2022, at the end of this season what actually? And? even one year, the ten million (gross) of Insigne now Canadian, I nine of Mertens which has suitors in Qatar, the eight of a Ghoulam to whom will fate owe something? while restored, having plundered energy and mood, and the five of Ospina, which has become a target of the real Madrid, to which and? complicate oneself denying oneself; and if we wanted to, we could also end up on the list of “potential redundancies” Anguissa (which is a loan but with a right of redemption); John Jesus who signed for twelve months; And Tuanzebe, which should be part of theAston Villa. In practice, there are seven men with a lot of suitcases at the door; and in summary, will it close? an era.
But through savings and investments, chasing new and fresh talent, will it be? It is possible to breathe a club that in the two years behind it, among disappointments Champions and the invasion of the Covid, had to shed – like others – blood and tears. However? in this unusual situation, in some ways even paradoxical, there are hidden advantages that can be perceived with the naked eye and in the 131 days that separate from the last championship (no one is waiting for June 30, you know) is there? a gap sufficient to question oneself again, to intervene not only with foresight, reworking Napoli, however? without snatching it from him? the soul and not its authority. But in a while, and in the market to come ?, other reflections – which could turn into decisions – will end up piling up on the (theoretically) vague horizon, and Fabiano Ruiz and of Meret, deadline 2023, will deserve further information and will draw other guidelines, will inspire a philosophy, will offer another key to reading Napoli and its idea of the future for the actor, and realize if in the meantime something is? changed.
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