The Rigoberta Bandini phenomenon has been like a summer storm. Just over two years ago, in February 2020, she released her first single, with a not very suggestive title, too many drugs. In a few months, with the confinement and its successive extensions, they would come Party, let christ come down, when you are borngoing a little unnoticed, until I arrive In Spain we call it Soledad, in August of the first year of the pandemic. More cane, and when no one could go out partying, marked a style that would culminate in Bitchthe great success of Paula Ribó, which would later be followed by See what happens and the already universal classic, although not Eurovisive, Ow mom.

Born in the midst of a pandemic, discovered through stories and home concerts from when you never imagined when you would jump, sweat and scream again in a packed Palau Sant Jordi like this Thursday. Rigoberta Bandini has achieved unexpected and meteoric success, she has even written a book. All of this has meant that he is already “fucked up” and says goodbye to the stage a month after releasing his first album, the Empressin which he recovers most of the singles that he had already been publishing and adds some unpublished songs.

It seems that it has started backwards and has quickly tired, but it has consolidated a sufficient public that does not care much about all this. The singer, already feeling nostalgic, has paid tribute to them starting with In Spain we call it Soledad, knowing that that was when many got it to sing. Then you have included Qualsevol nit pot sortir el sol from Jaume Sisa, in case the welcome was not clear. He has followed up with love songs to you, the unpublished title of his first and last album for the moment, dedicated to his son, one of his recurring themes. Other brand-new songs from the album have also been played, such as you and I either That living is a gardenas well as some of his latest singles, among them, Julio Iglesias Y to all my loverswith the included appearance of a capgros who comes to represent all the ex.

Jacinto, that’s what Ribó has called him, has fled in terror when a pack of dogs has appeared. “But this is full of bitches”, he has verified, “and here is the biggest bitch”, he said, when his cousin, Belen Barenys, burst in., a showgirl who has accompanied him during these two years until the rhythm has slowed down due to her pregnancy. But Sant Jordi is Sant Jordi and Barenys has marked a doggy rap.

The ecstasy has continued, how could it be otherwise, with Ow momwith chorus included. And Rigo and her cousin have shown their tits, knowing that on stage there aren’t any worthwhile pixels. After the disclosure, the fan moment has come, becoming modern and starring in a BeReal, although she has recognized that for that she already feels a bit boomers.

The second surprise has not been long in coming. Fraud that’s how he danced, the question was whether Amaia, who lives in Barcelona, ​​would appear. She has not disappointed. The Palau Sant Jordi has thundered with the version of a song that has aged very quickly by Los Payasos de la Tele. With the adaptation of Amaia and Rigoberta, the one that we would have listened to better when we were little, we danced and jumped rope, warming up for the end. The Barcelona singer wanted to end up going back to her most authentic origins, saying goodbye to her city with the song by Caillou with which she made her debut in the musical world as a child and too many drugs, the first that was already exclusively his. It was then, when her neighbors have realized that they will have to wait to see her again, but, knowing her, it won’t be long.