“I don’t like cinema”, then he goes to the Venice Film Festival: storm over Giorgia Soleri
“I don’t like cinema at all” Giorgia Soleri declared for some time. A strong but legitimate statement, in some ways consistent with her often unconventional positions. The Venice Exhibition, however, is evidently more tasteful than her given the guest a few days ago.
Participation in the well-known event – at the invitation of a champagne brand – did not go unnoticed, especially on social media, where a crawl of controversy arose. Many have called it the incoherent, others the opportunist. “You can be the bearer of all the messages you want, but if in the end there is no coherence between character and person, even messages lose value. If you turn out to be different from how you present yourself, people will stop following you and that’s it” is one of many tweets that confront the influencer and writer, famous on social networks for her activism. And right here comes another sweet key. Also on Twitter, a user points out: “Yesterday by chance I saw the stories of a girl suffering from vulvodynia who said how absurd it is that Giorgia Soleri went to Venice with a champagne when alcohol is kryptonite for those suffering from this disease. “. And he continues (perfectly summarizing the thinking of many): “What does it hurt? Basically nothing except the career of these people based on very tight ideological assumptions. No to capitalism, yes to inclusiveness, use of ə as war Then, however, if personal goes beautifully to Venice, to show off clothes and jewels, perhaps even if they had previously declared that they disgusted the cinema (quoted by Soleri) and also a brand of spirits. they teach how to live “.
The replica of Giorgia Soleri
“I don’t like cinema at all. Unfortunately it’s a language that bores me and I think I’m really the only person I’ve ever known who gets desperate when someone says ‘let’s watch a movie?'” Said Giorgia Soleri. Overwhelmed by criticism, today, she replies: “Anyone who has followed me for a while knows that I am not a great lover of cinema. I like artistic languages that you need a piece of your own history and experience to be able to fully understand them. But I was born as a photographer – she specifies -. In fact, the few films that really excited me and left something either required great photography or required very active attention to get 100% into the director’s imagination “. And she arrives at the participation in Venice: “Here, Bardo, the film we saw yesterday both of these things. A photograph so beautiful that you feel completely inside the scenes for more than 3 hours and requires a very personal reading”. Now it all comes back.