“The Art of Intonation” by Tadeusz Słobodzianek, directed by Anna Wiecz, current participation in the 28th Graphic at the Polish Contemporary Art Exhibition.
photo: private archive
The performance, which premiered on January 8 on the Small Stage of the Dramatic Theater of the Capital City of Warsaw After the weekend of playing, Warsaw is very pleased with the first-and-first opinions.
“The art of intonation for the best Slobodzianek in years, what from time Our class. Nobody in Poland struggles to write for sellers who do not use such a scale of depicting heroes, nobody makes such theses “- wrote Jacek Wakar in” Friends “for” Newsweek “.
“Outstanding text, acting” – stated Piotr Zaremba in the large pages of Polska The Times.
On stage, also appreciated by the critics and the audience, actors and actors of the Dramatic Theater: Adam Ferency, Łukasz Lewandowski, Modest Ruciński, Sławomir Grzymkowski, Anna Moskal and Barbara Garstka (guest appearance).
“The most poignant is Adam Ferency in the role of the master, I take over, and Słobodzianek made an irony, but sincere declaration of faith in the theater in this role. You have to watch the Ferency deceive us in the first act, fall apart in the last one. In both of them, he has the power to do so. ” (Jacek Wakar, “Newsweek”).
“Lewandowski’s showpiece deserves all acting awards” – he plays in cooperation with Rafał Węgrzyniak at Teatrologia.info.
“Great Modest Ruciński” – adds Jacek Cieślak in “Rzeczpospolita”.
“Anna Moskal played the Assistant immersed in alcoholism without a single tone. (…) Sławomir Grzymkowski is his own forest Ludwik (F), an archetype of a malicious, playful theater critic, says Barbara Gars, who plays her own brilliant roles: a waitress from a communist pub and a nurse taking care of the Master. Look at how efficiently an actress with clear evidence of an ornament makes a person alive (and the presence of two people). ” (Piotr Zaremba, “Polska The Times”)
What is the source of the show’s success, drawing inspiration from the biographies of the figure of the 20th century theater?
“Słobodzianek talks about the human condition and the overwhelming passion to find and make sense of the table of contents. It seems that there is less and less space for theater today. Meanwhile, a performance consisting of two pieces – The art of intonation and Return of Orpheus – he denies that the theater has died. I pick it up, I perform it and joyfully. Sanctifies “- Maja Komorowska shared her impressions on Facebook.
“The thing is only about the effect and the session, but – what connects the sections – of theater in our cycle of access, the erudite and ambiguous text by Tadeusz Słobodzianek (I will risk simplification) is a story about this scenario with the sentence – that only in theater can you be truly free (Rafał Turowski, rafalturo.wski)
“This is one of the most important and most important premieres of this year. You can also apply that to be best played, written and directed. (…) In some theaters there is only recitation play, in other plays of intonation. In this case, we are dealing with the latter day. “(Sylwia Krasnodębska,” Gazeta Polska Codziennie “)
“There is a lot of fiction in the performance, but the standing ovation at the end is authentic and well deserved” – Jacek Cieślak’s summary in “Rzeczpospolita”.
I also invite you to read the interview with Tadeusz Słobodzianek, in which he told Dariusz Kosiński about truth and fiction, about his employees Grotowski and employees who were included in the “Otwock Quartets” of agency employees: www.wiez.pl
We invite you to the next performances of “The Art of Intonation” on January 29 and 30, and on February 19 and 20.