The Brno HaDivadlo comes up with the Nerůst project. Instead of the premiere, older productions will start editing iROZHLAS
Oversized and unsustainable. In the same way, the theatergoers of the Brno HaDivadlo perceive the contemporary world and also their own repertoire. Therefore, they are the first in the Czech Republic to come up with a novelty of sustainable theater development. Instead of studying new productions, they began to intervene in the older ones. And the audience will also be able to take part in it.
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Since September, they have given three premieres at the HaDivadlo in Brno. At that time, however, I already feel the need to slow down and revise the current program.
The slowdown also means the original previous Growth. “This concept will help us find other goals than the product,” will help Hamyšlen RadiožurnálDivadla Matěj Nytra.
‚Různorodost je důležitá.‘ Ředitelský tandem SKUTR slibuje, že nechce Národní divadlo zaplavit svou režií
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Scéna proto zahajuje sérii tvůrčích intervencí. V rámci nich budou herci společně s původními tvůrci a režiséry různými způsoby zasahovat do starších inscenací.
„Například u Strýčka Váni chceme polemizovat s původní Čechovovou předlohou,“ popisuje Nytra. „Druhá polovina hry se bude odvíjet jinak než v originále. Postavy zažijí country koncert a závěr hry nebude tragický,“ prozrazuje.
První intervence začala v pondělí. Iniciovala ji herečka Táňa Malíková, která v inscenaci Naši hraje postavu klimatické aktivistky. Právě klimatická krize má být tématem prvního setkání.
„Kromě doprovodných besed nabídneme do středy divákům vždy před představením světelnou terapii lampou,“ poznamenává dramaturg. Jejím autorem je brněnský intermediální umělec Michal Mitro.
Each intervention should relate to a specific game. At the end of March, Václav Havel’s production will see the Opening. Since the normalization, when it was created, it had to be performed as a residential theater. Brno theatergoers now want to revive this idea.
“Ideally, we will play a rerun in the apartments of the spectators who register themselves.” The first performance is to be at home by screenwriter Petr Oslzlý. The outgoing rector of JAMU and Havel’s aged friend will also complete the memorial lecture on the tradition of residential theater.
HaDivadlo is the first in the Czech Republic to come up with a similar concept of a sustainable theatrical repertoire. According to Nitra, she did not look for inspiration abroad either. “Our only inspiration today was the historical DVDs, which were always published with some bonus material.”
The playwright likens creative interventions to them. “Bonus materials often included unused film material or cut scenes. That’s how we want to approach theatrical plays now, “he adds.
There should be a total of ten creative interventions. The last theater will offer in May cen68.
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