VENICE | GREAT WAIT FOR DE ANDRE ‘FILM THAT ARRIVES AT THE CINEMA AFTER VENICE – ANTENNA TRE
22/10/2021 VENICE – After the great success at the 78th Venice International Film Festival, next week, but only for three days, in Italian cinemas, “Story of an Italian employee”. Let’s hear the protagonists. || After the enthusiastic approval received in the preview at the 78th Venice International Film Festival, next week, but only for three days from 25 to 27 October, the film “Story of an employee” arrives in Italian cinemas. directed by Roberta Lena it has as protagonists the memory of Fabrizio De Andrè through the stories, and the music, of his son Cristiano and Dori Ghezzi. from the video with a total duration of 12:12) 00:20 (I had about three years ago) 00:53 (make a film of it) .The message that comes out of the film is very strong. the feelings that inspired the creation, the community of artists and friends who became family: the great artists of that time who filled the Portobello house in Sardinia, where the album was partly conceived and who surrounded the Christian child. In the film, all the stories of Faber, filtered by the memory of his son, deepened by the strongest of ties, up to a completely new story, in terms of content and emotional charge. A sort of biography, through their common social thought, of their common feeling, of their common social thought, of relationships of recognition up to a total relationship and symbiosis, to the passing of the baton, to inheritance. “You didn’t stop the wind, you made him waste time” said Fabrizio De André, addressing the power, talking about what was left of ’68. And he added that the creation of the album “Story of an employee” – in 1973 with Giuseppe Bentivoglio and Nicola Piovani – had made him his greatest revolution: “It was already difficult as a bourgeois to become an anarchist, but the real work was to individualist to become collectivist ”. For this reason, the film explores the atavistic conflict that was the Fa revolution – Interviewees: CRISTIANO DE ANDRE ‘, ROBERTA LENA (DIRECTOR), DORI GHEZZI (Report by Lorenzo Mayer)