Brnnsk The seagull took off with confidence. The production of Russian classics is crowned by acting performances Pop culture
Brnnt Racka prepared in times of a hard lockdown and the consequent exception for rehearsals for professional theaters. And some unfavorable external conditions and, to a certain extent, the frozen hustle and bustle, paradoxically benefited the resulting form in the form of a close-up production, which is directly treated by the ech’s dog unpacking and shaping tragicomic relationships and a moody atmosphere.
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From Jan Tereba’s scene, the real change and dramaturgical concept of this game cycle can be deduced to some extent. There is a lot of talk in the text about lcece, but so about umn. Love affairs (of course, the bastards) are involved here in various polygons, in addition to wisdom about the debt of the literary artist and the actor. After all, Sorin froze right away, as if in the middle of the darkness of the game and so the tragedy of their unfulfilled foreshadowing: I once had two things: I wanted to get married and I wanted to become a writer, but I didn’t succeed in this or that. So.
Hokosladk vivn zpasy
Libra on literature and the writer’s debt generally grow through these figures as well as their love affair. And this art frame seemed to be slightly more expensive by the right. The empty uncovered, but not used in the production orchestra, is an imaginary kick and a fine between the sight and the appearance of the sweat completely without mobility. Only the room from the Sorin estate, on which it has been going for two years, stands on it. The interior of the large burgher’s room is ceremoniously shaped by a red curtain into a wide-angle spectator form, under which the canopies of that room are elevated.
This increase is reminiscent of the curtain, which is also a dwarf on the horizon, so a place for Treplev’s game Svtov due with new forms. Svt umn is thus seven and the girl has a love affair with the heroes in the text, which Jaroslav Vostr re-wrote for Brno in the subtitle defined by the word comedy. Otherwise, in laughter, he advised to choke similar emotions in his hypocritical, painful, and tragicomic ways of life and to perceive them as vaudeville.
Parade of acting actors
Reisr especially emphasizes the comic valry of the text, but his piece is not an iconoclastic joke. Pcl has prepared a constantly large game, a format that is the most ideal for the needs of a gleaming theater house, especially when it works mainly as a parade of regular acting performances. It’s all about you.
A big and pleasant surprise is Viktor Kuznek’s Treplev, a little bloated actor, who can tragically show the torn tail as a large, unpretentious figure with a powerful inner life. His mother Irina Arkadin is played by Tereza Richter’s tradition as a superficial world. It would be more appropriate to perform a certain internal uncertainty in this performance, selfish panic. You like in one of the highlights of Veera, when Arkadin submissively asked Trigorin not to let her down.
Nina Zarena Elika Zbrankov is able to envelop the halving of the heroine with a fateful love for the witness and the attention of Trigorin, who was drawn from there by the guest Ji Such from Tbora. Sorin Petr Nevnho is also tired of life, booze and mischievous ambitions. Pavel enk Vaculk (Medvnko), Jana tvrteck (Polina) and Zuzana ern (Ma) really took very functional and accurate miniatures from their roles.
This Brno Seagull is baking my theatrical mainstream (a realistic nladotvororn door for a glass saloon in front of it a bit svd). Pcl’s production of obela and mon and often dysfunctional experiments; relying on the meanings and hearing of the audible dramatic word, his exact acting traction and, albeit, the changing relationships in which our author is involved.
AP ECHOV: RACEKTranslation:Jaroslav Vostr Series:tpn Pcl Dramaturgy:Jaroslav Jureka Scene:Jn Tereba Costumes:Alena Dziarnovich Music:Marko Ivan inohra Nrodnho divadla Brno, premiere 7 September at the Mahenov Theater |